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Michelangelo Pistoletto: From One to Many, 1956–1974
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Michelangelo Pistoletto: From One to Many, 1956–1974
Item Details
Public
Creator
Pistoletto, Michelangelo, 1933-
Curator: Basualdo, Carlos, 1964-; Battle, Erica F.
Title
Michelangelo Pistoletto: From One to Many, 1956–1974
Exhibition View
Date
2010-11-01T12:00:00+00:00
November 02, 2010 - August 15, 2011
Material
installations (visual works)
Period
modern Italian styles and movements
Description
Michelangelo Pistoletto (Italian, born 1933) is widely recognized in Europe as one of its most influential contemporary artists and is increasingly gaining recognition in the United States. As the artist’s first focused survey in the U.S. in more than two decades, Michelangelo Pistoletto: From One to Many, 1956–1974 places Pistoletto’s work in the context of the postwar sociocultural transformations of Italy, Western Europe, and North America while also exploring its relationship to Pop, Minimalism, and Conceptual Art. The exhibition will include more than one hundred works of art—many of which have never before been seen in the United States—that will range from early self-portraits to subsequent series of works, including Quadri specchianti (Mirroring Paintings), Oggetti in meno (Minus Objects), and Stracci (Rags). Michelangelo Pistoletto: From One to Many will trace the progression of Pistoletto’s artistic focus from a rigorous investigation of the representations of the self in the mid-1950s to his collaborative actions of the late 1960s to the mid-1970s that lie at the heart of many artists’ participatory practices today. The Museum will also present the artist’s current work from his interdisciplinary laboratory, Cittadellarte. Michelangelo Pistoletto: Cittadellarte will highlight the intellectual, political, and social dialogues fostered by Cittadellarte, which was founded by the artist in 1998 by in Biella, Italy. The installation will play host to a series of performances, lectures, and workshops to bring the innovative spirit of this artistic center to the Museum and the city of Philadelphia. Organizers The exhibition was organized by the Philadelphia Museum of Art and MAXXI---Museo nazionale delle arti del XXI secolo, Rome. Sponsors The exhibition is made possible by The Pew Center for Arts & Heritage through the Philadelphia Exhibitions Initiative, and by The Andy Warhol Foundation for the Visual Arts and The Kathleen C. and John J. F. Sherrerd Fund for Exhibitions. Additional support is provided by Galleria Lia Rumma, Le Méridien Hotels, and GALLERIA CONTINUA, San Gimignano / Beijing / Le Moulin; by Christie’s, Luhring Augustine, Galleria Christian Stein, and Simon Lee Gallery; by Barbara B. and Theodore R. Aronson, Lynne and Harold Honickman, Jane and Leonard Korman, Harriet and Larry Weiss, and Sankey and Connie Williams; and by the Philip and Muriel Berman Foundation, Jill and Sheldon Bonovitz, and Jaimie and David Field. The catalogue is made possible by illycaffè and The Andrew W. Mellon Fund for Scholarly Publications. --From archived website
Subject
Pistoletto, Michelangelo, 1933-; Installations (Art)--Exhibitions
Source
Photographer:Constance Mensh
Organizer
Organizer: Philadelphia Museum of Art (American repository, Philadelphia, contemporary); Museum for Art of the XXI Century (Italian museum, Rome, contemporary)
Department
Modern and Contemporary Art
Site:Linked
Philadelphia Museum of Art (American repository, Philadelphia, contemporary), Dorrance Special Exhibition Galleries, first floor
Rights
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File Properties
File Name
9926823.fpx
SSID
9926823