Born in Vietnam in 1977, two years after the fall of Saigon, Danh and his family left their home in 1979 and immigrated to the United States in the early 1980s. The experience of displacement and his eventual trip back to his country of birth inspired the artist to create work exploring his homeland's history using found and natural materials. By inventing a process known as chlorophyll painting, Danh found the perfect metaphor to honor the thousands of people murdered by the Khmer Rouge regime. Printed on a variety of tropical plants, Danh's portraits of the victims are permanently imprinted into the matrix of the leave's structure.
This image has been selected and made available by a user using Artstor's software tools. Artstor has not screened or selected this image or cleared any rights to it and is acting as an online service provider pursuant to 17 U.S.C. §512. Artstor disclaims any liability associated with the use of this image. Should you have any legal objection to the use of this image, please visit http://www.artstor.org/copyright for contact information and instructions on how to proceed.
License
Use of this image is in accordance with the applicable Terms & Conditions
